Before You Post That Next Car On Instagram… Wait & Read What 2face Says- Charles Novia

    Charles Novia’s new article talks about celebrities
    flaunting and living a fake life. But the most important part of the write-up was
    the points he quoted Tuface to have said. Real words from a wise man.  Find the article below.

    Among the present crop of Nigerian musicians, I would vote
    for Tuface Idibia as the most humble of the lot. His humility is well-known by
    a lot of people as one of his greatest assets added to a very warm and friendly
    disposition. Apart from his humility, one appreciable virtue he has is his
    sense of modesty even when he is easily one of the richest musicians in
    Nigeria. You don’t really see Tuface going on instagram or other social
    networks to flaunt a new watch or new car or some material possession. Not
    because he cannot afford them but because he has sense of proprietary.
    I had an informal conversation with him in Atlanta, USA in
    October 2013 one evening when we were both hanging out with a bosom friend and
    brother, Chris Ikpefua of Vogue Entertainment, USA and Tuface told me something
    profound. I have known Tuface since 1997 when was a member of the then
    duo-group, Plantation Boiz with Blackface and I was a contract staff with the
    network service of the Nigerian Television Authority. I was a Presenter of a
    youth programme on NTA Network then, ‘Youth Dimensions’ and I featured Tuface
    and Blackface for the first time to a national audience, over 30 million
    strong. Tuface wistfully took my mind back to that episode and kept regaling
    everyone with tales of how ‘this man helped his career way back’. He was also
    effusive in his praise about how I brought back and rehabilated Majek Fashek in
    2005 back to the music scene, after Majek’s years in a self-imposed wilderness.
    Personally, I was pleased at Tuface’s verbal obeisance to me. In an industry of
    short memories, he knows where he has come from and remains who he is even
    after getting to his destination.
    Tuface then told me something profound and touching. ‘ You
    know what? Sometimes I look back and remember how I started, who I started
    with, the other musical groups we had when we started and the solo artistes
    then. I look around now and for some reason God has made me still relevant till
    now for close to twenty years in the music industry. It humbles and chills me.
    I feel sad that most of my peers are not where I am too. Artistes who struggled
    with us to build the music industry to this level with their talent when there
    was no structure. I feel very sad for them, Bros. I am also aware that many of
    the young and even the established artistes look up to me as a role model of
    sorts.  If I screw up, they too might
    screw up. So, Bros, I went into properties. Immediately I started buying
    houses, the others looking up to me slowed down and began to invest in
    properties too. It made me happy because they would have something to fall back
    to later in life. Bros, I get properties but nor be wetin dem dey shout about.’
    I was impressed by his sense of acumen and again modesty in
    wealth. But Tuface is an exception and a cursory calculation of his income
    from  worldwide concerts and endorsements
    in the past decade would show that he has made money impressively to explain his
    commendable investments.
    I wish I could say the same for the crop of  Nigerian artistes who love flaunting their
    material possessions for all to see. More often than not, those things being
    flaunted are part of a hype culture. There is a need to ‘belong’ and most of
    those acts, wracked by a poverty mentality, believe a $300,000 designer
    wristwatch or an expensive car or SUV are the yardstick to measure their
    wealth. No, they are not. Maturity and moderation matters. A rich person does
    not need to tell the world he or she is loaded. The world perceives it.
    Our musicians and actresses 
    deluding themselves on social media with this flaunting fad are not
    being true to themselves. The entertainment industry is a coterie community and
    the statistics of income are not hidden. When you try to hoodwink the public
    that you bought a house or a diamond watch just from the singing and prancing
    on stage in an industry where CD sales are dropping, or that you bought some
    house in Ikoyi just by being an unmarried actress when we all know how much an
    actor is paid for a role, is stretching the story a bit too far. Granted, these
    artistes might have other legitimate sources of income but such sources are
    negligible in turnover.
    One day, very soon, those wealthy shady barons and pimps
    using the artistes in the industry as cannon fodder might just move to another
    area of interest. And don’t get me wrong, how people make their money is
    entirely their own business. What I am pissed about is the deception; the whole
    stinking deception. These artistes hoodwinking the public that they made their
    money through their art when there is more to it. Others who are not in the
    entertainment sector make money through these same avenues these artistes use
    but they don’t come out shouting about it as such.
    In essence, what I am saying here is; Guys, make una cool
    down. Make your money as codedly as una don dey make am. Make your work dey
    speak for you for one side and your money dey quietly answer you for the other
    side.

    The fake life and lies don dey too much for many of una.
    Shikena!

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